Johari Russell: Audiovisual Technician in kansas city, MO

Managed audio-visual equipment and supervised students in the setup of. A/V equipment in classrooms. Responsibilities included: A/V operations including preparation of microphones for presentations/seminars. Made repairs on audio visual equipment, such as: motion picture projectors, slide projectors, television and/or cablevision equipment, recorders, videotaping, sound equipment, public address systems, etc. Controlled utilization of service contracts and performed preventative maintenance on the equipment. Deeply experienced in conducting tests on audiovisual equipment to determine operating efficiency.

Operational Broadcast Engineer Monitors audiovisual links between units in different locations. Setting up and operating equipment and transmission links during outside broadcasts. Maintaining specialist equipment for video production, broadcast and satellite transmission, and interactive media.

Duties include: Working in close contact with directors, cinematographers, technicians, etc., positioning the cameras, operating it, and adjusting the controls, as well as handling the film and lighting requirements. Utilizes updated knowledge in setting up camera equipment and positioning them accordingly as needed. Participates in the planning of shots and their rehearsals with the actors. Chooses the lens and camera angles required by the scene and solves technical and practical problems including light and sound issues. Performs film loading and unloading, counting the total number of takes, and helping the camera crew. Serves as primary point of contact for customers in technical or engineering resource issue resolution. Ensures compliance to development processes and standard work requirements and proactively follows guidelines, processes, and operational policies in selecting methods and techniques for obtaining solutions. Proven ability to work independently on several d

Demonstrated ability in performing the placement of the camera, regardless of where the setup is going to occur, or if the camera itself will be stationary or moving during a particular shot, which needed to be taken. Managed, mentored, and directed the other key grips, who usually had more specialized functions. Provided assistance with lighting set-ups, working alongside the film as well as electrical department. Reviewed the shooting script that included camera directions and movements, as well as locations. Worked with the DP and gaffer,while supervising any necessary rigging for the lights or backgrounds.

Managed remote broadcast systems between the studio and transmission systems at remote locations. Responsibilities included: Organizing, preparing, coordinating, and executing of promotional events. Worked with on-air talent by brainstorming new ideas and communicating with leading advertisers.