Bryce Gildner: 2D & 3D Animation Artist and UX Motion Designer in San Francisco, California

• Developed and composed visual effects inspired by blockbuster films for Equifax, enhancing brand storytelling and engagement • Ideate short form content directly with their client, Graybar, and create 2D and 3D animated videos for social media • Model and animate 3D scenes for Graybar's internal and external explainer videos, ensuring alignment with brand identity and messaging to effectively communicate key concepts

• Spearhead international animation design teams for high profile music tours across North America and Europe, enhancing brand presence and audience engagement • Conceptualize and craft compelling storyboards presenting to artists and their teams, facilitating smooth project approvals and aligning creative visions • Develop comprehensive budgets by assessing time requirements and project complexity, ensuring efficient resource allocation • Designed captivating show visuals for notable performances, including Dolly Parton's NYC Christmas Tree Lighting, Bishop Briggs’ appearance on Jimmy Kimmel Live, and Brent Faiyaz’s Apple Music showcase • Completed VFX treatments on over 20 clips in Mario’s “Mars” official music video contributing to over 2 million views on YouTube

Clients: Google, ILLENIUM, AJR, Quinn XCII, Guayakí Yerba Mate

• Designed, edited, animated, and selected music for Honda and Acura commercials while abiding to brand guidelines • Balanced multiple broadcast commercial projects at once in order to reach short deadlines • Textured, lit, and animated photorealistic 3D vehicles for offer screens • Created pitch videos for Honda National in order to maintain Pinnacle as an official roster agency

• Created animations of logos, titles, transitions, and backdrops for web and video walls at live events for clients including Norwegian Cruise Line, Sheetz, and many more • Edited videos for documentary, educational, and promotional productions which were presented at national and international company conferences • Managed camera, lighting, and audio equipment assembly on film shoots • Presented to the Creative Director with motion graphics mockups and drafts